The lived artistic experience of ‘the dancer Sarasa’ and ‘the visual artist Sarasa’, the mutual interplay of this expression of experience, from the physical to psychical states is explored; the dancer through her movement in space aligns with the artist whose movement is captured on canvas. This experience of expression is beyond the architecture of ‘sensing’. It communicates to the observing entity, an integral vision from that ‘Self-space’, that transcends space, time and locality. This communication is ‘Rasa’

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